As the gateway to discovering and supporting young talented artists from all over the world, the International Competition of GICBiennale has provided a forum to suggest the future direction of world contemporary ceramics for the last ten years.
By hosting an exhibition of awarded works, the International Competition has established itself as the world's biggest international competition in which the trends of world contemporary ceramics and its future direction are seen at one place. This exhibition Awarded Works of the International Competition, GICBiennale 2001-2011 presents one hundred works selected from among 18,830 entries from 70 countries throughout the six biennales from 2001 to 2011.
You are invited to see the values of experimental ceramic art to which world contemporary ceramics has paid attention for the past ten years through these one hundred awarded works of the International Competition.
※ ( ) The figure in parenthesis refer to selected result
No. | Year | Countries | Applicants | Works |
---|---|---|---|---|
1 | 2011 | 69 (42) | 2,019 (300) | 4,206 (305) |
2 | 2003 | 68 (41) | 1,481 (215) | 2,454 (215) |
3 | 2005 | 67 (32) | 1,430 (190) | 2,475 (190) |
4 | 2007 | 66 (33) | 1,436 (188) | 2,444 (188) |
5 | 2009 | 70 (29) | 1,726 (179) | 3,196 (179) |
6 | 2011 | 71 (32) | 1,875 (151) | 3,362 (151) |
9,967 (1,223) | 18,830 (1,228) |
Vessel_ Use & Expression
<Vessel : Use & Expression> showcases vessels which focus on craftsmanship under the subject of "functionally" and vessels making new approaches at the border of "Use" and "expression". Fifty prize-winning works are shown including Human Bowl Face by Philippe Barde (Grand Prize, 2005), a powerful and expressive series of porcelain bowls that deconstructed a vessel in a very simple but revolutionary manner, and The Architectural Volume by Bodil Manz (Grand Prize, 2007), who expressed 3-dimentional architectural drawing on the surface of ten vessels using the transparency of ceramics.
Object_ Symbol & Metaphor
<Object : Symbol & Metaphor> features objets which extended the territory of 'clay' to an expressive medium. This section shows works which express the intentions of artists "symbolically" or "metaphorically" through their forms and ceramic sculptures which explore the properties inherent to clay.
Healing Being by Lawson Oyekan (Grand Prize, 2001), which expresses properties of terra cotta metaphorically by compressing the weight of life, Afred Summer by Sun-koo Yuh, which tells about human life with stories and legends, and Heavenly Thought by Tetsuya Yamada, which symbolizes nature and skyscrapers of many global cities, are presented along with some 40 other ceramic sculptures.